Apple iPhone XS vs Google Pixel 3XL – My Unbiased Search for the Best Phone Camera

I’ve been getting a ton of questions and DM’s lately about the Pixel 3 and how I’ve been liking it since I’ve been posting some pics from it and I thought since I have some time, I’d write up my personal thoughts. This is not meant to be click bait or anything like that – trust me, I’ve watched enough video “reviews” and read enough “articles”to know that they’re either paid to say what they’re saying or they are fanboys of a product that tend to be more biased than you’d like. Two things: 1) I’m not paid to write this even though I wish I was and 2) I’m not a fanboy of any product. I’m a fan of the best product. Most people know I’ve switched between Apple and Android multiple times because each time, one or the other has met my expectations of what I want in a phone.

The Pixel 3XL in this moment in time is what I feel to be the “best” phone right now. I’ll try to lay it out in sections and then provide some sample shots between the Pixel 3XL and iPhone XS. Real world shots taken by me with my own device and Diana’s iPhone. No gimmicks, no trick shots and no photoshop.

Physical Device/Feel/Aesthetics

The Pixel 3XL is not a looker. In fact, the only aesthetically pleasing thing to me is the use of an accented colour power button. In my case, I bought the Clearly White model with the light green power button. Other than that, it’s got a larger chin than it should and the notch is just a notch to me. People call it notch city, I call it extra real estate at the top of my phone – regardless of how big it is. The screen is nice and vibrant, it’s a little cooler in temperature than the iPhone XS but still pleasant to look at.

The iPhone XS in every sense is one of the nicest phones I’ve ever seen and held. It’s like holding a piece of expensive jewelry – the weight and the stainless steel – beautiful. If any phone should aspire to look like something, it should be the iPhone XS. The screen is beautiful – it’s pleasing to look at whether it’s on or off. It feels solid and not plastic-y. It’s nice to have practically no bottom chin, and the notch – well it’s just a notch to me just like the Pixel 3’s. It’d be nice to see a phone without it like a few of the Oppo phones, but still not a deal breaker for me.

Overall – iPhone XS wins this and it’s one of the biggest reasons I wanted to go with the XS. It’s great to hold and use.

OS/UI/Usability/Touchscreen 

The number 1 thing that separates the iOS users from the Android users. Honestly – the Android UI is something even I had to get used to. It was exciting for me though because I loved the idea of customizing my phone exactly how I wanted. I could use icon packs, I could change how my weather is displayed, I could put whatever I wanted on the homescreen. I could get away from the rows of icons and folders that had strapped iOS down so tightly. But at the same time… The simplicity of iOS is what makes it so great. It’s easy to use, you know where your icons all are and everything just “works” in the Apple ecosystem. I could live with both and I’d be content because I love customization but I also favour simplicity.

Google’s phones uses simple and bloatware-free versions of Android. There isn’t a bunch of apps installed that you’ll never use. It’s just the basics and it’s fast and effective. It’s very difference experience than a phone like the S8 (which was my daily driver previous to the Pixel). It’s fast and snappy – it does what you want and when you want it. There were a few RAM management issues that have just been addressed otherwise, it’s nice. The gesture system isn’t nearly as refined as Apple’s iOS although I wish it were. I just want to be clear though – this does not translate to a phone that is clunky or terrible in any way. Everything works as it should – gestures and motions just aren’t as fluid as iOS – but if you’ve never used iOS you wouldn’t notice any issues at all and even after migrating away from iOS – everything begins to feel right.

iOS’s button-free gestures are so perfectly designed that it feels like the your thumb and the images/icons/pages beneath it are one and you wonder why Apple didn’t do this sooner. The UI is the same familiar UI you’ve been familiar with ever since the iPhone 3G with a few additions here and there but why fix what ain’t broke, right? The one thing Apple lacks – and has always lacked – is the ability to customize the phone to your liking. It stays how it is out of the box until the day you decide to part ways with it.

This section is 49/51 for me. Both use such a different way of navigating and operating. The 51 going to Apple because of how refined the UI is and just how nice it is to use. Bravo, Apple.

Apps/Integration

This section is important to me and I don’t see many people talking about it – not even the big tech guys. The first step to deciding you like a phone is whether you like how it looks (covered), the next is how does the phone feel when you use it (covered), and the most overlooked part is how well do the apps you use work on the device you chose.

The app selection between both OS’s (for my use and most of the public’s general use) is pretty much identical. You want instagram and facebook? You got it. You want home automation? You got it. You want an assistant? Siri and Google Assistant are there (albeit, Google assistant is a lot more versatile than Siri). Getting the apps themselves is not typically the problem – it’s how well do those apps work with the OS and while you might not think it’s a big issue, it actually is. This is one of the main reasons I was very close to getting an iPhone XS and we’ll talk about why I didn’t soon.

For a social media junky like myself and many others – the social media apps I use should work exactly as intended. Instagram – one of my main social media apps does not work the same on Android versus iOS – change my mind. Instagram has been refined and optimized for iOS and works flawlessly. From things like story highlights, to the way you get and see notifications.

For example, Instagram stories on iOS will show everything at perfect ratios – but on Android, the stories have a slightly larger aspect ratio resulting in stories to be cut off on the outer edges. Did someone put text right to the edge of their story? Sorry, Android – you’re not going to be able to read it all. The upload processing of Android versus iOS is also different – upload one picture from iOS and most of the quality is retained as long as it isn’t an incredibly high resolution picture. Upload that same picture from Android and the results are clear – there is degradation in the photo quality and I’m not entirely sure why after many tests between my previous S8+ and Diana’s iPhone XS. Important to note: the issue does not seem to exist when uploading from the Pixel so it seems to maybe be device specific or even Android version specific?

Most other apps work as intended – Facebook, Twitter – simple platforms such as those show no difference in performance to me. My personal biggest gripe was the “lack of performance and refinement” in Instagram and it might not be yours but it’s worth noting.

The issue with stories still exists – ratios are off – and this is confirmed on the S8+, the Pixel, and the new Mate 20 Pro so I’m concluding it’s an Android thing. Is it a deal breaker? It could be for some – was it for me? Almost… But we’ll talk about why it wasn’t in the next section.

Camera

Maybe the most important section for some – it certainly is for me – and maybe the least important for others. Surely you all know by now that I like to take pictures and my camera – whether it be my SLR or my phone or any other medium that I’m using – has to be able to provide better than average results. It needs to have 3 things:

  1. Clarity
  2. Sharpness
  3. Good/Great Autofocus

Now before you go on and start talking about DxO scores and ratings of every cellphone camera, I don’t care. The tried and true method of determining whether a picture “looks good” is my eye. DxO score of 90 vs 110 doesn’t mean anything to any regular person so we’ll use our eyes instead. I’m sure you’ve heard it before but there’s a reason the Pixel has had the best camera year after year since the original Pixel came out and it’s hard to believe how good it is until you see it because up until now – DxO has marked the iPhone almost consistently at the top until the P20 pro and Mate 20 pro came out. It’s also something that we’ve been conditioned to believe – the iPhone in all it’s glory and somehow justified high price and dual camera system is the best in the business. I mean, you’d think that’s true based on my whole novel up above – Apple (the iPhone) creates an important sense of pride in both the product and the brand. It’s great to hold, it’s nice to use, it combines everything so perfectly.

Prior to seeing Pixel-quality photos in person, I, too believed that the iPhone captured great photos. It still does but they aren’t amazing. I like to think that “they are great for photos captured on a phone”. If you look at an iPhone photo, you know it’s from a phone. Something is just missing. Let’s talk about portrait mode – the mode that seems to be taking the world by storm. Really quick – if you don’t already know – portrait mode aims to focus on  a subject while creating blur (bokeh) behind the subject to create a visually pleasing separation between the two. Often seen in pictures where there’s a large aperture (f1.4, f1.8).

The iPhone uses two lenses to create the effect. One lens to capture your subject and another to capture the rest of the scenery and then AI/processing to put the two together and make a best computational guess at the edges on where to create the separation. The Pixel on the other hand has only one lens to rely on and the rest is handed over to AI/processing to determine where the edges start and where separation begins. One would think that capturing two images and merging them would be the best option and I think where the iPhone fails is the lack of proper processing. Queue the entrance of the Pixel – where it is literally the opposite. Google’s AI/processing is superior to the iPhone in every way as far as my eyes can tell and pictures don’t lie. 9 times out of 10, the Pixel’s edge detection and separation beats the iPhone and not by a smidgen – by a lot and for every portrait mode photo that Diana’s iPhone XS takes, my heart breaks a little more and my faith dwindles into a darker hole than before.

Now, I want to be clear – I’m only talking about portrait mode because as I said – I want something in my pocket that can attempt to recreate the same photos I take using my Sony A7II as much as possible and many of those photos are done with a larger aperture AKA portrait mode. For regular pictures – between the iPhone and Pixel – I can hardly tell the difference besides some saturation and highlight/shadow differences and that’s only if I’m looking at them side by side. Anyway, I’ve said enough – we can let the pictures do the talking. Please note – I did my very best to ensure that both phones were capturing the best image that they could. Using manual press-to-focus on the subject and taking the best of the bunch. I’m not butchering one phone in favour of the other – if the Pixel fails, it fails and if the iPhone fails, it fails. As a bonus, I’ll also take the same photo with my A7II and 35mm f1.4 – you’ll have 3 comparisons to make your judgement.

First Example – Pixel/iPhone/A7II (non-edited, RAW, no HDR, 35mm F1.4) Note – the 1.4 aperture is probably gonna be a little unfair here and it’s also going to produce a very different type of bokeh but I still just want to include it for comparison.

PIXEL 3 – I really wanted to just take pictures where edge detection was important for overall quality comparison. The Pixel does a pretty good job and only missed in 3 spots overall. The left leaf is mistaken for the background, and the two leaves on the right near the bottom. These two are easier to forget about but the left leaf –  not so much. It almost did a good job in between the botton middle leaves and the chair behind it. Sharpness is a little high and more evident on the very top of the plant, but not terrible.

It does a good job of using HDR to keep detail in both the leaves and the light behind it.

iPhone XS – A little better on the edge detection here – still kind of blew out the left leaf but not noticeably as much. The two right leaves were captured properly too. It did about the same thing to the chairs behind it between the leaves at the bottom – a bit too much but still minor.

I’m not sure why the iPhone failed me here – it kind of blew out exposure even though exposure point was on the middle of the green for all photos. It just looks a bit fuzzy and soft –  not enough sharpness here.

A7II – I’m not sure if there’s much to say for the A7II because it’s in its own league. But just here for comparison.

PIXEL 3 – lots of detail here – the important spots to look at are the right edge of the Christmas tree trailing down and to see where did edge detection fail. I’m surprised because this was extremely sharp. I could be nit picky about the bottom part of the bristles but pretty good.

iPhone XS – Sorry – slightly different spot but I’m still just looking for edge detection here. Again, I could be nitpicky about the area by the bottom right rose gold ornament but still good. A little soft again compared to the Pixel.

A7II.

PIXEL 3 – Easier edge detection but I wanted to try and meld dark foreground with a dark background (so the top of the black hat). You’ll see it faded it together here – noticeable if you’re looking for it. Overall edge detection though is pretty clean – especially to the left of the black hat and the separation with the scissors. Again, good HDR work here.

iPhone XS – again, I just feel the XS is softening and neutralizing the pictures. Side note – I did notice that the “beauty gate” issue is still slightly apparent. It was Apple’s take on trying to decrease noise – but when you apply too much noise reduction it textures start to look airbrushed. The separation is not bad but not sharp either – it still works because it creates a very soft edging and convince most people.

A7II.

PIXEL 3 – more textures around fuzzy-type objects – another enemy to portrait mode. The Pixel 3 nailed it here – all the way around lucky cat. Note the quality of the bokeh here – a very smooth and well spread bokeh.

iPhone XS – Not terrible but not better either. Edge detection failed a bit on the right ear at the top causing almost a halo effect because of the colour of the cat. AGAIN, it’s just too soft for me and it creates this artificial fuzziness around the cat – most notably on the left of the cat. Note the bokeh in this one now – a little less smoothness but still passable.

A7II.

PIXEL 3 – Probably the worst nightmare for portrait mode is hair – more specifically – single strands of hair. More often than not, the Pixel 3 is able to capture a great amount of detail in the strands of hair in portrait pictures. This is a good example because I would say almost 95% of this photo has accurate edge separation between strands of hairs.

iPhone XS – this is where I find that the iPhone fails me the most. This is not the most extreme example but it does show where it almost creates holes in the picture and blurry gobs on the edges of the hair.

No A7II here.

PIXEL 3 – Perfect separation especially on the points of the leaves. Good HDR between the monitor and the dark plant.

iPhone XS – ALMOST perfect separation except on the points of the left blades. HDR not so great here, and a bit soft but no comparison here to the Pixel 3.

No A7II here.

PIXEL 3 – The final test. Multiple edges on different subjects with a pretty neutral but complicated background with conflicting horizontal lines to the plants. I would say that this is a good example of near perfect edge separation with the only fault being in-between the twigs of the middle plant. No edge separation between the plant and the chair as it is assuming the chair is part of the plant.

iPhone XS – Poor edge separation here throughout the whole picture. Most notably on the middle plant tips, the chair behind it and on the right plant tips and the string on the stick. Even the separation of the plant pots from the table is a little poor to me. This would be a deal breaker for me at this point.

A7II.

At the end of the day – here’s what I’ve concluded: the iPhone overall is the better phone. Aesthetics, feel, UI, dual camera system – it is the well-rounded phone you’re looking for and it’s damn beautiful. I love holding and using Diana’s and I wish that I could somehow merge the iPhone and Pixel together to create the ultimate phone for myself. The Pixel is also a great phone but falls short on all aspects listed above. Androids in particular have some work to do on the aesthetics and feel of their phones but maybe that’s why the cost is significantly less (besides the point). However, for someone like me that has “camera” at the top of their list, the Pixel 3 wins – by a long shot. I can handle non-apple smoothness – Android Pie is not terrible either – it’s great. It’s not a fancy stainless steel in gold, but I can live. Do I want a dual camera? Yes because why not? But at the end of the day – the Pixel 3 captures exactly what I need it to capture every single time and brilliantly at that. When Apple and Google decide to combine two of their best products into one – then I’ll pay $2,000 for it. Until then, I don’t think I can move away from the Pixel until Apple or any other Android device can top it.

What do you think?

Canon to Sony: The Leap of Faith – A Tragic Love Story

A question that I’ve been asked for a while now is “why did you switch?”, or “do you like it?”. I thought I’d answer that here. Note that I decided to answer it in form of a story. Far too many of the reviews/blogs that I’ve read about making the switch are too technical, and not helpful. You’re basically giving me the spec sheet in paragraph form. I’m the type of person that needs something more tangible and relatable. Hopefully this helps those of you looking for another opinion. I won’t put any pictures here as I don’t want to clog the reading space… So read on if you’re interested.

For those of you that don’t know – one of the biggest decisions I made over the winter was to finally make the jump from Canon to Sony. For the last 12 years, I’ve been a loyal and happy fan of the Canon brand and that’s the brand that I’ve worked with to learn all of what I know now. I certainly don’t dislike Canon but the spark between us has dwindled and it was time to move on. It felt like I was ending a relationship that I had originally thought would last forever – I didn’t see this day coming, but when it did – I couldn’t think of anything besides moving on. This must be what destiny feels like.

My love for photography started at the same time my love for cars did 12 years ago. I remember the days of browsing car forums and seeing amazing pictures of amazing cars and amazing pictures of not-so-amazing cars. I remember wondering what kind of magic this kind of art was and how game changing it was for me. A decade ago, photography was not a huge thing like it is today… There were a few well-known blogs with great photography, but for the most part – just standard point and shoot pictures are all that you would see on forums. I would say at that time, the rise of automotive photography was on the horizon. Legends like Easton Chang and his rig shots were the epitome of what automotive photography could and should be. Nowadays, everyone is a photographer as long as they meet 3 criteria:

  1. They just bought DSLR
  2. They write “Automotive Photography” in their instagram profile
  3. They put a watermark on their photo

It’s almost like that’s the path to becoming a real photographer – you need to front your game before you actually have game. It’s a bit frustrating to see because these same guys are asking for paid photoshoots, and some poor soul out there will pay because they don’t know any better. I’m not trying to discredit the guys that put time into learning the art – it truly does take time. Just because you can take a picture of a flower at an open aperture to create bokeh doesn’t make you a professional. It means you can read instructions. /rant.

Anyway that’s not why you’re reading this, is it? You’ve come here to see why I decided to make the jump from Canon to Sony. As I was saying, over the last 12 years, I’ve been disgustingly loyal to Canon – almost to the point of where I would not even acknowledge other brands because I felt Canon was superior. It’s not a good attitude to have, by the way. I’ll be honest though, there was that small 1% of me that was a little curious about what other brands could do. Over the last year, my loyalty to Canon has dwindled and my inspiration to shoot has faded. I’m going to be go out on a limb here and risk saying it – but I just felt like my Canon 7D was not performing the way I wanted it to anymore. “Jason, it’s not the equipment”, you say… “It’s the user” – and it may very well be the case. It wasn’t producing sharp pictures, it was always missing, it failed me during ‘once in a lifetime’ moments and thus, my trust and love towards my once trusted Canon camera just started disappearing. I didn’t want to pick it up anymore, my S8+ was more reliable than it, and despite numerous attempts at calibrations, cleaning and google searches – there just seemed to be no light at the end of the tunnel. Now you must be saying – “well Jason, my Canon is perfect” – and I don’t doubt that it is. But my story of ending my relationship with it happened to be because of imperfection – perhaps I expected too much, or it just wasn’t meant to be. This really starts to sound like a romance novel, but I assure you that it’s just a story between me and my camera.

The magic of user-tailored ads on social media can be amazing. You search one thing and it bombards you with deals and the magic of that product for weeks on end – forcing the little devil in the back of your mind to say “just do it. This is a sign”. And no matter how much you convince yourself that this is just showing because you googled “Sony DSLR’s” once, you start to fall into the obvious trap. It was like I was willing to step right into the bear trap even though I acknowledged and saw it and that’s where my Sony journey begins.

So I finally convinced myself that Sony was the next match that I was going to swipe right on. In order to give myself the push, I put my Canon 7D up for sale and within hours, it was sold. That did exactly what I was dreading but had hoped for – it solidified the fact that I was no longer a Canon user. That same day, I went out and bought the Sony A7II. Sony’s entry-level full frame camera – I wasn’t shooting weddings, I wasn’t shooting events that were going to pay me thousands of dollars. I was shooting my daughter, cars, and that was it. I just know that down the road, I’ll convince myself again that I need an upgrade, but for now – I had to ease into this new relationship slowly. Perhaps, we’ll take it to the next base in a few years.

As I said above, it’s been about a year since I’ve been thinking about Sony, so you can imagine that my expectations of its capability had grown exponentially over that time period. I was truly convinced that my Canon was done for and that Sony was going to be my savior. I won’t keep you in suspense – it was indeed everything that I had hoped for. You know when you leave a dull relationship where things weren’t terrible, but they weren’t great either? Then you find one where sparks fly every time you meet? That was how I felt. Taking pictures with my Sony was – trying not to sound cornier than I already do – magical. Pictures were sharp, they were clear and vibrant. It didn’t “miss” shots like my Canon did. When Aria smiled, Sony got them. Where Canon failed when Aria was jumping, Sony soared. That one particular spot of carbon weave in my Voltex wing that I wanted in focus was actually in focus. Suddenly, taking pictures felt like how it used to 12 years ago – I wanted to take more, I wanted to have free reign over my shots without worrying about something being out of focus when it got on the computer. Sony, Sony, Sony… You have revived my love for shooting again that I haven’t felt in a long time, and it makes me wonder where you’ve been all my life.

Dear Canon, I don’t hate you. I just think things between us weren’t working out the way they used to. You’ve done all that you could do and honestly, it’s just me. I don’t miss you either, but I’m thankful for all that you’ve taught me and I think it’s better this way. I hope you’re in the hands of another that will treat you with the same respect as I did. Perhaps you will inspire another to become a professional photographer – either for real or just by way of writing it in their instagram profile.

For those of you that want a little more technical and less drama, here’s a version that’s not so heart breaking. My Canon 7D was my trusty sidekick for the last 3 or 4 years. I had originally upgraded from a Canon 40D, and before that – the long forgotten Canon XT. As you can see, my history of SLR’s began with Canon and unfortunately does not end with Canon. The 7D was great at first and I admittedly bought it for its video capabilities which I never used. Still – it provided me with many of the successful photos and photoshoots that you see on the blog today. Over time, I just found that it was slowly declining in performance and it was the same for my two previous bodies as well. Those performance issues translated into (as mentioned above) out of focus shots, images that were once sharp were no longer sharp at all, and generally just lack luster photos. I did ensure that my lenses were calibrated and performing as well as they should have been and came to the conclusion that it was the body – right or wrong.

Upon choosing the Sony A7II, I honestly didn’t know what I was getting myself into. It was going to be my first full-frame body, and my first mirrorless body, AND I was also switching brands at the same time – so there was lots of change happening all at once. I paired it up with a Sony 35mm F1.4 – a very stellar and highly recommended lens. Again – right or wrong – the Sony just outperformed in almost every aspect when shooting the exact same subjects – most notably, Aria. One could say it’s because it’s a brand new body, others would say that it’s all in my head. Whatever it is, it’s now sparked my inspiration to shoot again and I love it. The tracking auto-focus is amazing when I’m following Aria around and taking snaps. It’s ISO noise control is superb, and separation between foreground/background is just so sharp and distinct. One of my favourite features of this mirrorless route is the ability to not only live view the picture you’re taking, but to see exactly what it’ll look like before pressing the shutter button. In other words – you’ll see exactly what your bokeh will look like, where your focus is, what your shadows and highlights look like and it ultimately gives a real (or as real as it gets) representation of what your final outcome will be. You’ll not only know what the picture will look like, but also WHEN to take the picture. I say “when” because timing is everything in photography, so when I know what the picture will look like and how it changes based on the subjects movement in conjunction with the surrounding light and all other factors within the frame – then I have a MUCH better idea of when to take the photo, if that makes any sense.

I’ve found that over the last month of shooting with Sony that I’ve just been much more satisfied with almost 95% of the photos I take prior to post-processing. With my Canon, my success rate was near 50% and that’s a very bad thing when it comes to taking pictures of people or “once in a lifetime” moments. If 50% of my photos turned out to be garbage, then that means I only have good pictures 50% of the time – this is assuming composition, lighting and everything else was ideal. I found myself taking multiple photos like a mad man, hoping that of the 10 I took, at least 1 turns out. I like to review my photos all prior to post-processing and determine whether they’re even worth processing in the first place. More often than not – I’ve been keeping all the shots coming from the Sony A7II and this time, only one shot is needed instead of ten.

Overall – am I satisfied with the leap of faith? Yes, absolutely. If I had a few words (and not a whole novel like above) to explain my reasoning: The Sony A7II has proved to create exceptional photos with outstanding colours, clarity and sharpness that I have not seen in a long time. Despite the critical reviews about “slow AF” or it’s bigger brothers (A7R**, A7S**) better performance – this is a perfect balance for someone like myself that wants awesome performance and quality at a price that won’t break the bank. I think you’ll see the quality translated over into my photos this summer and I hope that you notice the difference. A few of my recent posts are pictures from the A7II as well. Whether it’s the equipment or the user – when you feel inspired to take photos, you almost always take great photos.

Hope that helps!

#lifewithjson – Year in Review Part 4/4

The season finale! Part 4 is more of a “Jason gets a schwack load of car parts”… But it’s still worth it 🙂

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Jackie was able to help me out and I bought a set of TE37SL’s off of Ben at AJR. I also bought the Voltex wing on my STI off of Ben because of Jackie… Good times.

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9.5 +40 for you “specs?” dudes.

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I decided to make the trip up to Edmonton to shoot Scott’s car.

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No I didn’t – that’s a lie. I was up there for work and instead of roam Deadmonton (no offense to my fellow Edmontonians – I love West Ed), I decided to reach out and shoot while I was there.

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Scott came out with his S2000 and it was a good shoot indeed…

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Ass so fat you can see her back from the front.

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T’was a sunny fall afternoon…

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Off to the next shoot!

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We went all the way out to the boonies for this one…

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Arif and his EK.

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#PumpkinSpiceLatte was the hashtag of the day for this one…

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This shoot was a seriously last minute shoot… And it turned out incredible. It’s funny how things work out… There have been shoots that we’ve been planning for months and when we finally get to do it, I’m just not feelin’ it. I don’t know what it is, but there are certain cars that just beg to be shot and work for the camera. Then there are other cars that are like “I want a photoshoot” but get all shy and cover their tits because they don’t feel comfortable… That’s how I would compare my bad photoshoots to my good photoshoots LOL. Almond’s car worked the camera hard that night if you know what I mean…

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This is also going to sound super weird but during Almond’s shoot, I felt like I had a “level up!” moment. What I mean by that is there have been moments during my time as a photographic being where I felt I took on a new approach and saw things differently than I usually did. I was inspired, I had new angles, I thought of new ideas and looked at the car differently through the lens.

You’ll probably be able to see a significant difference from all of the photoshoots I’ve done during these “Year in Reviews” to Almond’s photoshoot. I changed my style and edit, I changed practically everything about how I shot this car.

I know it’s sounding nerdy, but I just thought I’d put my two cents in while I could. Anyway – LEVEL UP

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M3nacing.

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This shot was so perfect. The colors, the car, the everything. PERFECT.

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Look, JC has also leveled up and is multi-tasking with his cellphone and a lens.

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Loved this one too. So artsy fartsy.

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Also tried on the TE’s one day just to see what it would look like…

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I was also convinced that day that I hated red and was looking for new colors for weeks. I have now come to the conclusion that I might like it. I’m very indecisive… We’ll see how it pans out when it’s all put together and on the ground.

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Mike’s Karmann Ghia was definitely one of the most unique shoots I’ve ever done and I loved it. It’s not everyday you see one of these…

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Another shot where the light just worked so perfectly for us.

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Gas station hang outs…

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Who rocked the Cholo pattern better? Just kidding.

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December is the month for new parts!

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A sigh of relief fell over me as I took the stock junk ball off.

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Another big purchase was coils. I can’t wait to get these bad boys on.

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And finally – a nice gift from my good friends JC, Punit, and Gopesh, my sister Julee and of course my wiferz Diana. Also can’t wait to slap this bad boy on…

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Done! And that’s a wrap for 2014!! Happy New Year!!

#lifewithjson – Year in Review Part 3/4

And along came part 3!

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The illmotion Sunday School Show & Shine was a huge hit again this year. It never ceases to amaze me just how many good quality cars are out there that don’t ever show their face. YYC has a lot to offer and you get to see most, if not all of it all on one day during this show. The best thing about this show is that it doesn’t cost $50 to SHOW your car and it doesn’t cost $20 to SEE the cars. It’s $5 per entry to show and free admission. The rest of the day is just a good time – this is really what it’s about and that’s why so many people come out to it.

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Days and/or nights before, there are tons of people just getting their cars ready and cleaning up for this day. I love the anticipation build up and finally getting to see all the goodies.

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The best thing about the show is that EVERY type of car is welcome and gladly attends. People love to see these types of cars outside of their element and you certainly don’t get that at Driven… Just sayin’

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The crew that manned the booth that day. Busy busy busy.

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Even the crew from BC came down to the event. Hard hitters…

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Trung’s S2000 from Edmonton even joined in. I’m tellin’ ya, it’s too good of a show to miss for you local peeps…

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We shot Terence’s BRZ as well later that summer…

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Supercharged in all its glory

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And of course the fill up shot.

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Another one of the more memorable highlights this year was the opportunity for me to shoot Bill and Mario’s Ford Focus’s for Performance Ford Magazine. That day also came together perfectly and the shots turned out great with the red and yellow cars on the green and blue landscape. Nothing beats color.

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JC’s car – I’m pretty sure he was on his phone off to the side. Looks like his car is in a dreamy field of unicorns and butterflies in this pic…

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Derrick also got his hands on a level ONE decal… It was nice to add a new addition to the family. Well deserved too – he recently just finished dropping a K20 in there by himself… It probably took him longer to put on this sticker than to swap the engine for some reason…

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And a lot of tape…

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It was not the last we were going to get to see of Nick, nor of Trung’s S2000 because this time they were together!

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Perfect combo?

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And this time, we were shooting LRD VDR

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In all its glory.

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Another one of my favourites from this year…

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And it was so long before I got anything new for the FRS, so Arif was kind enough to hook me up with the JDM frameless rearview mirror.

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The FRS was back into JC’s garage again for a little more treatment…

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I decided to get the TOM’S tail lights because I hate the stock tail lights so much!

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Full red on black is best.

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In no time, they were on and instantly my car looked 100x better.

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Then at long last I got the chance to shoot Jimmy’s Datsun 240Z. The color and condition of this car was amazing – not to mention the Work CR01’s in that custom finish

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Jimmy’s LS430 also sitting out front…

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One of the perks about shooting these cars is I get to get some shot gun rides in them. I don’t care if I don’t get to drive them, but the ride is enough for me.

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Then we decided to do a little get together with Ryan and his EP3 again since he changed his wheels for the 100th time.

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Oh would you look at that… JC on his phone.

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This time, Ryan had mag blue TE37’s to change up the look.

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Three down, one more to go!